Lo Schiavetto (1612): travestied sound, ethnic performance, and the eloquence of the body - Document - Gale Academic OneFile
Con quegli 'Gloria, gloria' non la finiscono mai" The Neapolitan concerted mass and its reception history
4. La composizione delle parole Dopo il temporale è apparso nel cielo l'arcobaleno. La parola evidenziata arcobaleno è una p
Con quegli 'Gloria, gloria' non la finiscono mai" The Neapolitan concerted mass and its reception history
![PDF) Researchers in Progress II. Languages in contact: Languages with history. | Pedro Jesús Molina Muñoz, Matteo Ferrante, Elias Argyrou, Maria Laura Spanedda, Leticia Viñuela, Georgia Kolovou, Constantina Fotiou, and Letizia Rivera - PDF) Researchers in Progress II. Languages in contact: Languages with history. | Pedro Jesús Molina Muñoz, Matteo Ferrante, Elias Argyrou, Maria Laura Spanedda, Leticia Viñuela, Georgia Kolovou, Constantina Fotiou, and Letizia Rivera -](https://0.academia-photos.com/attachment_thumbnails/56877077/mini_magick20180817-1008-luc36j.png?1534569520)
PDF) Researchers in Progress II. Languages in contact: Languages with history. | Pedro Jesús Molina Muñoz, Matteo Ferrante, Elias Argyrou, Maria Laura Spanedda, Leticia Viñuela, Georgia Kolovou, Constantina Fotiou, and Letizia Rivera -
![PDF) Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy | Barbara Swanson - Academia.edu PDF) Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy | Barbara Swanson - Academia.edu](https://0.academia-photos.com/attachment_thumbnails/50987014/mini_magick20180818-2008-g00erk.png?1534637127)